I’m no stranger to a long, cold night shoot. But, working with Nomadic Pictures, this is the first time I’ve had my characters lit by massive maxi-lights on two 80-foot condor cranes for key and kick light. And I’ve got to say it’s awesome.
Now, you don’t need this kind of light for every sort of night shoot –in Six Reasons Why, we sometimes worked with just firelight and a single kick light– but when you have an entire western town to illuminate, it sure does help move things along at a rapid pace while keeping every frame looking gorgeous.
Our warlock of a cinematographer, Neil Cervin, has conjured up some of the most stunning, beautiful, and terrifying images for Fallout Asylum, and I can’t wait for you to see just what I’m talking about when the first trailers and TV spots start to roll out in the fall!
In other news, my good friends in the Canadian band “Four Letter World”, will be providing the song for the ending credits of the film; I’ve heard it and it rocks all kinds.
Plenty more exciting news to come as we film with Ashanti this week, so keep an eye out for more goodies right here!